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The Martial Arts of Renaissance Europe, by Sydney Anglo
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Balletic homicide on the duelling field; stabbing and wrestling in tavern brawls; deceits and brutalities in street affrays; mounted encounters by armoured knights locked in desperate hand-to-hand combat - these were the martial arts of Renaissance Europe. In this book Sydney Anglo, a leading historian of the Renaissance and its symbolism, provides the first complete study of the martial arts from the late fifteenth to the late seventeenth centuries. The twentieth century has been captivated by oriental martial arts and their roots within Eastern societies. Yet the West too, as Anglo shows, developed its own styles of ritualised combat, similarly linked to contemporary social and scientific concerns. During the Renaissance physical exercise was regarded as central to the education of knights and gentlemen. Soldiers wielded a variety of weapons on the battlefield, and it was normal for civilians to carry swords and know how to use them. In schools across the continent, professional masters-of-arms were the artists who taught the lethal skills necessary to survive in a society where violence was endemic and life cheap. These ancient masters-of-arms, anxious to advertise their skills
- Sales Rank: #1024261 in Books
- Color: White
- Published on: 2000-08-11
- Original language: English
- Number of items: 1
- Dimensions: 1.23" h x 7.88" w x 10.45" l, 3.40 pounds
- Binding: Hardcover
- 396 pages
Review
"Fascinating." -- Globe and Mail
From the Inside Flap
Mounted encounters by armored knights locked in desperate hand-to- hand combat, stabbing and wrestling in tavern brawls, deceits and brutalities in street affrays, balletic homicide on the dueling field-these were the martial arts of Renaissance Europe. In this extensively illustrated book Sydney Anglo, a leading historian of the Renaissance and its symbolism, provides the first complete study of the martial arts from the late fifteenth to the late seventeenth century. He explains the significance of martial arts in Renaissance education and everyday life and offers a full account of the social implications of one-to-one combat training.Like the martial arts of Eastern societies, ritualized combat in the West was linked to contemporary social and scientific concerns, Anglo shows. During the Renaissance, physical exercise was regarded as central to the education of knights and gentlemen. Soldiers wielded a variety of weapons on the battlefield, and it was normal for civilians to carry swords and know how to use them. In schools across the continent, professional masters-of-arms taught the skills necessary to survive in a society where violence was endemic and life cheap. Anglo draws on a wealth of evidence-from detailed treatises and sketches by jobbing artists to magnificent images by D�rer and Cranach and descriptions of real combat, weapons and armor-to reconstruct and illustrate the arts taught by these ancient masters-at-arms.
About the Author
Sydney Anglo is Professor Emeritus, Department of History, University of Wales, and was Chairman of the Society for Renaissance Studies 1986-89. His publications includeThe Great Tournament Roll of Westminster; (Clarendon Press, 1968), and Spectacle, Pageantry, and Early Tudor Policy (Oxford-Warburg
Studies 1969, new edition 1997), and The Martial Arts of Renaissance Europe (Yale, 2000 - see sales figures). He is a leading authority in the field of Renaissance studies.
Most helpful customer reviews
32 of 32 people found the following review helpful.
A profound and valuable contribution
By Christoph Amberger
Eagerly awaited by historic combat enhusiasts of all persuasions for two years, the pre-release buzz surrounding this work -- characterized by expectant suspense on the one hand and tacky name dropping and tail-wagging subservience on the other -- has turned out not only to be warranted but justified.
Sydney Anglo plunges the reader into a hidden world of combat activity whose presentation has no equal by virtue of its sheer scope and erudite analysis. Lavish illustrations taken from some of the most popular and some of the rarest fighting manuals of renaissance Europe combine with carefully documented and annotated critical commentary to produce a work unparalleled in the field.
The thorough academic approach, combined with Anglo's intelligent and at times humorous personal style, is providing a backbone of respectability and credibility to a subject matter that frequently does its darndest to self-implode any claims to being taken seriously by overvaluing the emotionally affirmative needs of some modern practitioners.
Of course, this book is no How-to-Manual. It does not contain detailed analysis of individual techniqes. Nor does it quite answer the question in which specific combative scenarios the arts summarized under the modern Anglo-American pop culture handle "Martial Arts" were applied. (This particular aspect of mainly legal and extra-legal history might make for a book in itself.)
But that's not the point.
Short on brawn and long on brains, Anglo introduces us to the very core of these arts... the masters themselves... the way they thought... the methods they (and their graphic artists) employed to transmit complex ideas and sophisticated systems of ethics, philosophy, and physical skill to students, patrons, readers, and of course to us.
What makes this book relevant not only to the enthusiast of medieval and renaissane arts, but to the entire Western martial arts community: Anglo foregoes the pat shoe-boxing usually associated with focus on a partiular period. His work doesn't leave the reader stranded in an era that is hermetically sealed off from the modern period:
While rightfully emphasizing the differences between modern sport and ancient art, Anglo provides tantalizing glimpses of continuities... manifest in the literary traditions of individual systems that track the influence of a particular work -- through its reprints, translations and plagiarisms -- from the Renaissance far into the modern period.
One of the Great Books of combative history!
7 of 7 people found the following review helpful.
Essential Reading
By Justin Gifford
Anglo's groundbreaking work is definitely one of the most influential treatises on Renaissance combat ever written. Seldom does an author write so in depth and cover so much material.
Martial Arts of Renaissance Europe is fascinating from the first page; Anglo pens right toward the meat of the topic. Rather than reiterating what other authors have said and said again, Anglo only briefly mentions those sources widely available or quoted, instead preferring to bring light to those relatively unknown sources with which few are familiar, but which deserve much more acclaim. This book is not a light read by any standards; it should keep the most erudite of scholars busy for days. The further one reads into this book, the more one realizes he didn't know.
Anglo makes every effort to cram information into every page, but does so with the witty flair of a seasoned writer who knows how to keep his audience interested. He provides ample photographs, scans, copies, and illustrations to underscore his study of Renaissance fighting, but does not drown the reader in unnecessary artwork. He covers more facets of Renaissance martial arts than most other authors even mention, from the methods of instruction to the evolution of combat. Affording a separate chapter to each style of personal defense - swordsmanship, barefisted brawling, polearm use, and the like - Anglo opens up a door to history that has never been opened before, and many anxious scholars are graciously pouring through.
As he points out himself, the history of Renaissance martial arts is one that is very much neglected, both by historians and by martial artists. Historians generally shy away from warfare and fighting, and, apart from mentioning the outcome of a few major battles, barely acknowledge the existence of violence. Many martial artists tend to focus on technique, without much regard for history. Anglo has broken the barrier, and gave those scholars - both martial and historical - who crave to know a means through which to do it.
Overall, this book is excellent. It is a unique and thorough view of the Renaissance that has yet to be matched. Martial Arts of Renaissance Europebelongs in the library of martial artists of Western and Eastern heritages alike: required reading for any fan of martial history.
12 of 12 people found the following review helpful.
A must for serious European martial artists
By Stephen Shellenbean
One of the greatest problems facing modern enthusiasts of our European martial history is the availability (or lack there of) of scholarly study from the viewpoint of the period in which these arts were practiced. Too often they are approached from a standpoint of their applications in sport fencing or stage combat. Anglo has tried very hard to separate himself from these ties and look at the arts from their position in history, and while he occasionally falls shy, in most instances he succeeds remarkably well.
As a practitioner of medieval combat I was pleased to see many of the theories and postulations many of us have espoused borne out and explained in a scholarly text. The case Anglo makes for a systematic basis for training well before the Renaissance is well stated and helps to legitimize the work reenactors are performing today. As others have stated, this is not a "how to" manual, but is rather an indispensable tool to assist in researching masters and understanding the environment in which these skills were used. I have informed all my students and friends in the field that this book needs to be in their collection. I am certain I will reference it many times in the future.
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