[B953.Ebook] Download PDF Survey of the Old Testament (Faith & Action Series), by Dr. Quentin McGhee

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This introduction and overview of the 39 books of the Old Testament explores the importance, structure, and canon of the Old Testament. The study examines book by book: the author, readers, date, literary style, context, outline, theme, purpose, key passages, and principles for today.

• Sales Rank: #893567 in eBooks
• Published on: 2013-08-13
• Released on: 2013-08-13
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
This is a GREAT book!
By Monique A Castorena
This is a GREAT book!! Love how is gives you the heart of each book in the bible and explains so clearly. It has helped me grow in so many ways and I would recommend this to everyone. They deliver exactly when they say they will too!!

0 of 0 people found the following review helpful.
easy to read and accurate with very little 'author opinion' ...
By Conrad
This book was very informational, easy to read and accurate with very little 'author opinion' leaking through. I would highly recommend this for anyone wanting a clear covering of the Old Testament.

0 of 0 people found the following review helpful.
Five Stars
By patty valenzuela
Excellent study book, great knowledge that can help you understand the Old Testament so much better.

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[R113.Ebook] PDF Download Transmission and Distribution of Electrical Energy, by Walter Leroy Weeks

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Transmission and Distribution of Electrical Energy

• Sales Rank: #2913932 in Books
• Published on: 1981-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 318 pages

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You order a large coffee with milk and two sugars at the drive thru, and wind up with a large black—decaf. You go to save the presentation that's taken you all week to complete—only to discover it's corrupt. Your bank slaps you with a $25 charge for overdrafting 25 cents… And all you can think is…WTF?

Luckily for you, this book fills in the blanks and gives you humorous ideas for what to do when life makes them say, "what the f*#!?" Step by step, the authors take readers through inventively therapeutic, sometimes illegal, always hilarious solutions to life's many problematic situations.

Whether it happens at the office or at home, out on the town or in the bedroom, life's most f*#!'ed-up situations are covered in this entertaining guide. Rather than turn lemons into lemonade, this book spits lemon juice into life's eye and gives it a good kick to the junk.

• Sales Rank: #122283 in Books
• Brand: Adams Media
• Model: 4041113
• Published on: 2008-10-01
• Original language: English
• Number of items: 1
• Dimensions: .54" h x 5.50" w x 6.25" l, .45 pounds
• Binding: Paperback
• 234 pages

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0 of 0 people found the following review helpful.
Too Often Drifts Into Bleak Reality
By SheSays
Much of WTF is really very funny. The section on Telemarketers had be laughing in the middle of the night. But Gregory too often drifts into bleak reality. I just re-read the section on Dieting, and unfortunately Greg got serious and talked about obesity in America. It's a valid issue, but when I'm reading a book for laughs I want to laugh.

So take caution when laying down money for WTF. It's not anything like I Hate Everybody or I Hate Everything, which are just lists of annoying things and won't make you actually think when you're up with insomnia from the headache that followed you into the middle of the night.

Just so you know.

Update An Hour Later: Okay. I just dumped one of the stars I originally gave this book. I taught Drama and Scriptwriting most of my adult life, and actors and (oh jeez) scriptwriters can be most arrogant and rude people if they aren't really into the craft and only want to be famous. But you just don't insult them while you're trying to both teach and entertain them. The author of WTF continually insults the reader, calling him or her "fat ass" or "pig" or whatever. Insults aren't funny. They're rude and mean and make me hate the author.

I hate you, Gregory Bergman. If you don't believe me, come on over and my baby Browning and I will give you a much-needed etiquette lesson.

2 of 3 people found the following review helpful.
Four Stars
By J peterson
I Gave this as a gift, and she said it is hillarious. But I havent read it yet.

18 of 19 people found the following review helpful.
Quite Entertaining!
By JoAnn
I gave this book to my son and another 20 something guy for Christmas and they loved it! I could hear quiet chuckles coming from various corners of the house.

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[H296.Ebook] Download PDF The Trouble With Testosterone: And Other Essays On The Biology Of The Human Predicament, by Robert M. Sapolsky

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Finalist for the Los Angeles Times Book Prize

From the man who Oliver Sacks hailed as “one of the best scientist/writers of our time,” a collection of sharply observed, uproariously funny essays on the biology of human culture and behavior.

In the tradition of Stephen Jay Gould and Oliver Sacks, Robert Sapolsky offers a sparkling and erudite collection of essays about science, the world, and our relation to both. “The Trouble with Testosterone” explores the influence of that notorious hormone on male aggression. “Curious George’s Pharmacy” reexamines recent exciting claims that wild primates know how to medicate themselves with forest plants. “Junk Food Monkeys” relates the adventures of a troop of baboons who stumble upon a tourist garbage dump. And “Circling the Blanket for God” examines the neurobiological roots underlying religious belief.

Drawing on his career as an evolutionary biologist and neurobiologist, Robert Sapolsky writes about the natural world vividly and insightfully. With candor, humor, and rich observations, these essays marry cutting-edge science with humanity, illuminating the interconnectedness of the world’s inhabitants with skill and flair.

• Sales Rank: #245406 in Books
• Published on: 1998-04-24
• Released on: 1998-04-24
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .80" w x 5.50" l, .59 pounds
• Binding: Paperback
• 288 pages

Amazon.com Review
As a professor of biology and neuroscience at Stanford and a recipient of a MacArthur Foundation "genius grant," Robert Sapolsky carries impressive credentials. Best of all, he's a gifted writer who possesses a delightfully devilish sense of humor. In these essays, which range widely but mostly focus on the relationships between biology and human behavior, hard and intricate science is handled with a deft touch that makes it accessible to the general reader. In one memorable piece, Sapolsky compares the fascination with tabloid TV to behavior he's observed among wild African baboons. "Rubber necks," notes the professor, "seem to be a common feature of the primate order." In the title essay of The Trouble with Testosterone, Sapolsky ruminates on the links, real or perceived, between that hormone and aggression.

From Library Journal
Ask fans of popular science to name the best science essayists today, and the name of Sapolsky should not immediately come to mind. This book should help to change that. Sapolsky, a biologist at Stanford and a contributor to Discover magazine, writes on the biological aspects of human behavior. Subjects in this provocative and highly literate collection include male aggression, the onset of puberty, the psychology of guilt, and possible connections between madness and religious experience. The author implicitly invites readers to ponder two recurring themes: there are no simple answers to questions of why people act the way they do, and even the most deviant behaviors can be seen as "normal" behaviors taken to extremes. This book offers lots to think about. Highly recommended.?Gregg Sapp, Univ. of Miami Lib., Coral Gables, Fla.
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
A sparkling set of essays by MacArthur awardee Sapolsky (Why Zebras Don't Get Ulcers, 1993; Biology and Neuroscience/Stanford), who is not at all afraid to go out on a (primate) limb to discuss biology, brain, and behavior. As a veteran baboon watcher, he has much to say on stress and hormones, adolescence, and other fascinating topics. In some essays he is merely out to set the record straight. So we learn in the title essay that higher testosterone levels do not increase aggression, but that aggression increases testosterone levels. Even if you give massive amounts of hormone to a monkey who, let us say, is number three in a dominance hierarchy, he will tyrannize numbers four and five but still kowtow to the two above him. Other baboon-based essays become springboards for discussion of commonalities between them and us, for example, in voyeurism: Baboons like to watch, too. They are easy targets for junk food, and adolescence is a markedly stress-filled period in which male baboons appear to be programmed to leave the troop and join another, invariably as low man on the totem pole. In other essays Sapolsky makes perturbing leaps: Are the sundry neurological disorders he glibly describes (epilepsy, Huntington's disease, Tourette's syndrome, obsessive-compulsive disorder) truly representative of a continuum of behavior? Are the founders and leaders of religion ``schizotypal'' personalities? Arguable, certainly, but always interesting. Elsewhere Sapolsky, who summers in Kenya, writes of the predicament of the African middle class- -infatuated with Western diets and cultures while trapped in the persistent rhythms of the old ways. In the end it is the refreshing honesty of this scientist- teacher, his zeal to speculate as well as to clearly present the facts, that engages the reader. That, and a deft and often witty way with words. (Author tour) -- Copyright �1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

44 of 44 people found the following review helpful.
A great collection of essays by a brilliant writer
By Amazon Customer
Is it possible for a man who has won a MacArthur genius grant to be underappreciated? Reading this set of essays I have to wonder why Sapolsky is not as widely read and commented on as Dawkins, Sacks, Gleick and those other few at the absolute pinnacle of popular science writing.

The tales here cover his familiar subjects: the mind and emotions (one is tempted to say the soul), stress and our reactions, and how brain chemistry effects us every day. He also relates anecdotes from his baboon observations, and in the most touching essay talks about his father's life and death. The essays are gathered from several years and several magazines and each stands on its own...there is no particular theme beyond the aforementioned subject matter. The best is probably about how we sometimes take on the identity of another: illustrated by an anecdote where he watched Stephen Hawking give a lecture "through" the voice and body of a vigorous young graduate student, and Sapolsky's own odd reaction to his father's death. It is interesting, mildly disturbing and raises some ideas about individuality I certainly had never considered. In another essay, Sapolsky describes why so many illnesses have the same symptoms (its because it is our own immune systems that make us feel so crummy). Elsewhere he draws parallels betweens kids going off to college and male baboons switching tribes, and in yet another essay compares aging in baboons and humans.

So, should you read this book?

"Yes", if you have read other Sapolsky books and are looking for more.

"Yes", if you have heard about Sapolsky and want an introduction before diving into one of the larger works (though I still think 'A Primate's Memoir' is the best place to start).

"Yes", if you are interested in the brain and/or like good science writing.

36 of 37 people found the following review helpful.
Brain food from a fantastic teacher...
By T. Ross
The same qualities that make Sapolsky one of the most popular teachers at Stanford come through in his writing. Although I was an English major, I took his human behavioral biology class because the man has a well-deserved reputation for being entertaining and thought-provoking. If you attend one of his lectures, you'll find students from all disciplines, all wide-awake. Sapolsky makes the biology of the human condition come to life without compromising the integrity of its scientific underpinnings. This book is especially recommended to those with an interest in biology or psychology, but the appeal is universal.

16 of 18 people found the following review helpful.
A marvelous read to squeeze between scholarly articles
By prime8
Robert Sapolsky has written a wonderful, fun and terribly informative book, and it's a lovely break to anyone who wants to put their endocrinology articles aside for a night and read something a little smoother. I loved "Curious George's Pharmacy" so much I devoted a day in my Great Apes syllabus to a discussion of pharmacognacy and assigned that chapter as a reading. I also quite enjoyed the last chapter on the "heterozygote's advantage" of schizotypal disorder as the root of major world religions (and read the bit about Martin Luther's clear obsessive-compulsive behaviors aloud to my boyfriend, where we both got a good gasp and a laugh). As an anthropologist and a student of primate endocrinology myself, I highly recommend this book to anyone with an interest in the biological basis of human behavior.

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David M. Allen examines the way in which Deuteronomy operates within the paraenetic sections of Hebrews, both at a micro-level (in terms of citation or allusion to the prior text) and at a macro-level (how broad Deuteronomic themes are treated within the discourse). There is extensive treatment of Deuteronomic quotations and echoes, particularly from the Song of Moses (Deut 32), as well as analysis of Hebrews' borrowing of Deuteronomy's covenantal blessing/cursing imagery. The author discusses the way in which Hebrews shares Deuteronomy's sermonic tone and paraenetic urgency, and how both texts rhetorically position their audience at the threshold of entry into their salvation goal, typified by the promised land. He further discusses how Hebrews replays Deuteronomy's use of the wilderness generation as the paradigm of covenantal disobedience and how both texts exhibit a complex interweaving of the past, present and future moments. Finally, David M Allen examines the extent to which Hebrews stands in the tradition of 're-presentations' of Deuteronomy, echoing the way in which other 2nd Temple Jewish texts alluded to it for the purposes of their respective communities. He concludes that Hebrews does not just use Deuteronomy; it becomes a new Deuteronomy and challenges its predecessor's contemporary hegemony.

• Sales Rank: #2368190 in Books
• Published on: 2008-12-31
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.00" w x .75" l, .95 pounds
• Binding: Paperback
• 277 pages

About the Author
David M. Allen, Born 1972, 2007 PhD at the University of Edinburgh; currently Tutor in New Testament Studies at the Queen's Foundation in Birmingham, U.K.

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1 of 1 people found the following review helpful.
Well-Done Study of the Use of Deuteronomy in Hebrews
By Ched Spellman
In this reworking of his doctoral dissertation (at the University of Edinburgh), Allen examines the relationship between the Old Testament book of Deuteronomy and the New Testament letter to the Hebrews.

Recognizing the avalanche of secondary literature on the New Testament’s use of the Old Testament, Allen pursues a specific avenue of inquiry: “the way in which an individual OT book functions corporately within the letter” (4). So, Allen examines the use of Deuteronomy in the letter, “attempting to discern how the latter’s various OT motifs might contribute to a ‘Deuteronomic’ reading of the letter” (4). Allen’s approach is “intertextual in a broad, though not unlimited sense” (15). He limits his scope to “that exchange between the textual worlds created by Deuteronomy and Hebrews” (15). In particular, Allen argues that it is “perfectly possible that the author’s choice of OT materials (quotations, allusions, echoes, characters, themes et al) are not merely an apologetic or coincidental proof texts, but rather corporately reconstruct a familiar OT narrative that serves the author’s hortatory purpose” (4).

This statement indicates two areas that make Allen’s study a unique contribution. First, Allen examines the use of individual citations of Deuteronomy but also couples that with an analysis of the impact of the book as a whole on the writer’s argument. Second, Allen seeks to uncover the effect and impact of Deuteronomy on the exhortation sections of the letter. Following broadly George Guthrie’s insight that there are discernible strands of both exposition and exhortation in the letter, Allen assesses the use of the Old Testament in these particular sections (see 12-15). These exhortation sections sometimes do not receive as much intertextual analysis as the exposition sections (e.g., the Christological development of Heb 1:1-14).

In his study of Deuteronomy, as well, Allen focuses on the “Deuteronomic paraenetic material” that has a “life of its own distinct from the legal corpus” (13). Allen argues in this regard that “the vast majority of connections between the two texts are found within their respective hortatory material” (13). Accordingly, one of Allen’s central contributions is to bring together a close study of the use of the Old Testament in the letter (with an emphasis on the book of Deut) with an extended analysis of the exhortation sections of both writings.

To demonstrate the reality of this inner-biblical connection, Allen examines the various ties that bind these books together. In chapter two, Allen provides a study of the text and function of the Song of Moses in Deut 32. This is a strategic text within the scope of Deuteronomy, and it also has an “independent existence” as a well-cited often “sung” text in the history of Israel/Judaism.

In chapter three, Allen examines the Deteronomic quotations, strong allusions, echoes, and narrative allusions in Hebrews. He identifies 6 quotations, 6 strong allusions, 5-6 echoes, and 3 narrative allusions to the text of Deuteronomy. The song of Moses in Deut 32 is referred to at least 8 times. Moses’ song, though, also provides a particularly prominent theological and conceptual backdrop to the exhortation sections of the letter. As Allen writes, “this impressive and consistent textual use of Deuteronomy suggests that Hebrews has reflected upon its source text’s narrative situation in order both to shape its hortatory purpose and to articulate evocatively the consequences of apostasy” (109).

Alongside these strong textual links, there are also a number of other features that coordinate Deuteronomy and Hebrews. In chapter four, Allen highlights three major themes that are prominent in both texts: the centrality of “covenant,” the blessing/cursing imagery, and the focus and appeal to the “land.” In chapter five, Allen uncovers the “homiletical affinities” between Hebrews and Deuteronomy (156ff). The homiletic shaping of Hebrews indicates that “its argument mirrors that of its Deuteronomic source” (198). The story of Deuteronomy, then, is “replayed within the [New Covenant] context of Hebrews” (198).

In chapter six, Allen brings his argument to a climax by examining “re-presentation” in both Deuteronomy and Hebrews. After laying the exegetical (chap 3), thematic (chap 4), and rhetorical (chap 5) groundwork, Allen here constructs his climactic intertextual insight. The book of Deuteronomy, and in particular Deut 28-34, is designed to interpret and “re-present” Israel’s history. This re-presentation is for the purpose of persuading contemporary readers that the Mosaic covenant is obsolete and a new covenant is needed. The audience, then, is poised on the threshold of an entirely new way of relating to God as his covenant people. The “situational relationship” between the respective audiences is “the common Deuteronomy-Hebrews thread, with both audiences positioned at the critical moment of decision at the threshold of their inheritance” (203).

Accordingly, Hebrews not only cites and draws themes from Deuteronomy. Rather, Hebrews appropriates an entire complex of features (audience, purpose, literary type, and method) from Deuteronomy. The frequent engagement with the final chapters of Deut is not an accident; rather, “it happens consistently through the letter’s hortatory material, gives collective explanatory power to the epistle's admonitions, and in toto composes a perspective of new covenant handover at the threshold of the land” (225). In other words, these two books share a wide interpretive horizon, and they invite their readers to join them there.

For good reason, Allen’s volume has impacted the discussion of Hebrews’ use of the Old Testament. As noted above, Allen’s work provides a fresh impetus for interpreters to consider the role of the Pentateuch’s narratives in the coherence and artistry of the exhortation sections of the letter. Further, in addition to the helpful exegesis of intertextual links, the most important contribution of this work is the way it is able to account for the non-citational uses of Deuteronomy within the letter.

Allen’s overarching thesis and many of his textual connections still need to be examined, re-evaluated, and further developed; however, he has skillfully set these two biblical books in relation to one another and has compellingly demonstrated that this particular construal is not arbitrary but rather a profoundly text-immanent feature.

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[U414.Ebook] Ebook Download A Dance of Cloaks (Shadowdance 1), by David Dalglish

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From USA Today bestselling author David Dalglish
The Underworld rules the city of Veldaren. Thieves, smugglers, assassins... they fear only one man.
In book #1 of the Shadowdance series, Thren Felhorn is the greatest assassin of his time. All the thieves' guilds of the city are under his unflinching control. If he has his way, death will soon spill out from the shadows and into the streets.
Aaron is Thren's son, trained to be heir to his father's criminal empire. He's cold, ruthless - everything an assassin should be. But when Aaron risks his life to protect a priest's daughter from his own guild, he glimpses a world beyond piston, daggers, and the iron rule of his father.
Assassin or protector; every choice has its consequences.

Fantasy author David Dalglish spins a tale of retribution and darkness, and an underworld reaching for ultimate power.

Shadowdance

• A Dance of Cloaks
• A Dance of Blades
• A Dance of Mirrors
• A Dance of Shadows
• A Dance of Ghosts
• A Dance of Chaos

Seraphim

• Skyborn
• Fireborn
• Shadowborn

• Sales Rank: #286957 in Books
• Published on: 2013-10-08
• Released on: 2013-10-08
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.25" w x 5.50" l, .93 pounds
• Binding: Paperback
• 480 pages

From Publishers Weekly
The first volume of Dalglish&'s Shadowdance trilogy, a frenetic masterpiece with growing pains (to quote the author&'s modest afterword) that achieved self-published success, has been substantially revised for this edition, but its core remains a winning combination of A Game of Thrones, sword-and-sorcery RPGs, and vivid description. Aaron, the son of master thief Thren Felhorn, is an unprepossessing introvert who catches his father&'s attention by stabbing an intruder—at age eight. Five years later, Aaron is learning the thieving trade in Veldaren, a city defined by internal war between the thieves&' guilds and the merchants&' guilds, with the weak, paranoid king a pawn on the board. The point of view shifts continually, encompassing bit players and major characters from every angle of the struggle, and Dalglish handles his cast of thousands with aplomb. Despite the inevitable quasi-medieval setting, saucy dagger-wielding maidens, and very convenient magic, this is a fun read. Dalglish puts familiar pieces together with a freshness and pleasure that are contagious. Agent: Michael Carr, Veritas Literary Agency. (Oct.)

Review
"Dalglish concocts a heady cocktail of energy, breakneck pace and excitement."―Sam Sykes, author of Tome of the Undergates

"Fast, furious, and fabulous."―Michael J. Sullivan, author of Theft of Swords

"[A] winning combination of A Game of Thrones, sword-and-sorcery RPGs, and vivid description...Dalglish puts familiar pieces together with a freshness and pleasure that are contagious."―Publishers Weekly

"Strong characterization as well as detailed action...a believable tale of a young man's coming-of-age and the difficult decisions he must make. His saga should appeal to fans of R.A. Salvatore and Richard Lee Byers."―Library Journal

About the Author
David Dalglish currently lives in rural Missouri with his wife Samantha, and daughters Morgan and Katherine. He graduated from Missouri Southern State University in 2006 with a degree in Mathematics and currently spends his free time wondering how his seven-year-old is so much better than him at Minecraft.

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81 of 91 people found the following review helpful.
A gritty dark fantasy
By Kyrie
A Dance of Cloaks is the fourth book I've read by David Dalglish. While I liked his other books a lot, I felt with them that there was something missing to make them 5-star books. That's not the case with A Dance of Cloaks. In this book, he's come into his own and A Dance of Cloaks is an exciting read. I've always said that Dalglish writes some of the best fight scenes I've ever read, and that doesn't change in this book. Added to the mix is plenty of intrigue and a large cast of characters, including some old favorites. The theme of redemption is still laced throughout the book.

If you've read and liked Dalglish's Half-Orc series, you've really got to read this - you'll learn a good bit about the politics of the world and also find out how Haern got his start as well as the Eschatons. A Dance of Cloaks stands fully on its own, though -- don't worry if you haven't read Dalglish's other books; you don't need to in order to dive right in. If you enjoy fantasy, I can't recommend this book enough.

46 of 52 people found the following review helpful.
A Wild Ride Through a Dark World
By L.C. Evans
In A Dance of Cloaks David Dalglish has created a dark world where life is easily lost and swords and daggers rule. I don't normally read fantasy, but decided to broaden my horizons with this book. I'm glad I did. I don't want to post any spoilers, so I'll simply say the main plot was between a father and son. Thren Felhorn would stop at nothing to bend his son to his will and make him into a heartless assassin and the next ruler of the thieves guilds. Sub-plots involved a variety of other characters vying for money or power. There are also two very different religions struggling to win the people to their respective beliefs.

The action scenes--and there are many--are so well-written that I could easily imagine myself observing as if from a nearby vantage point. But not too nearby--the vivid battle and torture descriptions are not for the squeamish.

The main characters are portrayed with depth and feeling and each is given a story that we follow throughout the book. I especially liked that the women were strong characters and some of them could fight as well as or better than the men.

All the action and conflict lead to a climactic event when Thren Felhorn, ruler of the thieves, attempts to wipe out the opposition and finally take control of everything. Some of the characters live and some die violently, but loose ends are tied up in a dramatic battle that overtakes the city.

Highly recommended.

64 of 79 people found the following review helpful.
Lackluster and violent
By McBeardsalot
So... some background. I'd been away from fantasy for awhile, until I picked up Name of the Wind. It was fantastic, and I devoured it. Then I picked up Lies of Locke Lamora, and I was pretty unimpressed by the first few chapters, but then it grew on me and I loved it. I read its sequel Red Seas under Red Skies next, and loved it just about as much.

When I picked up Dance of Cloaks, I felt the same way about it at first as I did about Lies of Locke Lamora, and I really hoped it would grow on me too. Unfortunately it just never really rang true with me. The plot is difficult to follow for the first few chapters, since every couple of pages tends to introduce a new character. These characters tend to have a great deal of similarity... they're all more or less violent, vengeful, and skilled at some form of combat. Once you have the characters and plotlines sorted out, it's difficult to sympathize with any of them, even (what I believe to be) the main character. The ending was sudden, and I felt like very little had actually been accomplished.

On the positive side, it's not a mentally difficult read. The world and social structure it creates are both fascinating and detailed. It also doesn't have the pretentiousness of a great many of the books that I've read. I genuinely believe that there's a lot of potential here, but it just didn't quite hit the right note for me.

In short, is it a match for Name of the Wind or Lies of Locke Lamora? Not quite, in my mind. Is it better than most similar books out there? Yes indeed.

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[W856.Ebook] PDF Download Acting One/Acting Two, by Robert Cohen

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The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Moli�re, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.

• Sales Rank: #618321 in Books
• Published on: 2007-01-17
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x .98" w x 6.30" l, 1.87 pounds
• Binding: Hardcover
• 552 pages

About the Author
ROBERT COHEN was the founding chair Drama at the University of California at Irvine, where he continues to serve as the department's Claire Trevor Professor of Drama. He has also been a resident acting teacher at the Actors Center in New York, the Shanghai Theatre Academy, the Korean National Arts University, and the national theatre academies of Hungary, Finland, and Estonia. He is an accomplished stage director, scholar, playwright, drama critic, and teacher. A director by training (Doctor of Fine Arts, Yale Drama School), Cohen has staged thirteen professional productions at the Utah and Colorado Shakespeare Festivals, plus well over a hundred productions at Stages Theatre Center (Hollywood), Virginia Museum Theatre (Richmond), Theatre 40 (Beverly Hills), Image Theatre (Boston), Summer Repertory Theatre (Santa Rosa), the Medieval Drama Project (Irvine), the Manhattan Theatre Source, various universities, and several operas, videos and films. In addition to Theatre and Theatre: Brief Edition, he is also the author of many theatre books, including Acting One, Advanced Acting, Acting in Shakespeare, Acting Professionally, Acting Power, More Power to You, Giraudoux: Three Faces of Destiny, Creative Play Direction, and two dramatic anthologies. His essays have appeared in Theatre Journal, Theatre Topics, Theatre Forum, Theatre Survey, Modern Drama, Theater der Zeit, Essays in Theatre, On Stage Studies, The Drama Review, Contemporary Literature, Contemporary Literary Criticism, Slavic and East European Performance, Experiment and Innovation, and Dramatic Theory and Criticism. Cohen's play, The Prince, published by Dramatic Publishing Company, has been professionally produced in Long Beach, Pittsburgh, Budapest, and in staged readings in New York and Los Angeles; his dramatic translations (The Bourgeois Gentleman, The Misanthrope, Clizia, Tibi's Law) and opera translations (The Magic Flute, Carmen) have been both produced and published widely. For the past twenty years, Cohen has been the Southern California drama critic for Plays International, reviewing over two hundred plays. In 1999, he received the national Career Achievement award from ATHE - the Association for Theatre in Higher Education.

Most helpful customer reviews

2 of 2 people found the following review helpful.
fun and easy!
By Joanna Stephanie Medina
Easy to read and even fun! Has quotes from famous actors and actresses from today as well as from long past! Has great exercises that help an actor's progression in the art. The book also explains the reasons behind each exercise in case one is interested in the "whys?" Other than that, it is really an enjoyable read!

1 of 1 people found the following review helpful.
Very good tool for Intro to Acting teachers!
By Kathleen M. Kelly
As a novice Intro to Acting teacher, I borrowed this book from my colleague's shelf to assist me with ideas for class. It has a lot of very good ideas for games and strategies for teaching the tools of acting (ojectives, tactics, etc.)! I also find it has some strategies that I find too abstract as a teacher, and I don't think my students would comprehend and work with well. In the end, I have used this book A LOT to assist me with finding my own strategies and processes for teching beginning actors. A great tool for every acting teacher's library!

1 of 1 people found the following review helpful.
Good Book
By MissionATL
This book did what it was supposed to do - helped my daughter get through an acting class in college.

See all 5 customer reviews...

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Acting One/Acting Two, by Robert Cohen PDF

Acting One/Acting Two, by Robert Cohen PDF